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• Sales Rank: #7336954 in Books
• Binding: Paperback

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[S700.Ebook] Fee Download The Epic of America, by James Truslow Adams

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There is a tradition of one-volume narrative histories of the United States in which the political, military, diplomatic, social, and economic strands are skillfully interwoven. Rather than add to these volumes, The Epic of America paints a sweeping picture of the diverse past that has created America’s national story. In this important narrative, James Truslow Adams reviews how the ordinary American has matured over time in outlook, character, and opinion.

Adams grew increasingly conscious of how different an American is now from the man or woman of any other advanced nation. He is equally interested in the whole of American history, how it began, and what it represented in the first half of the twentieth century. Adams traces the historical origins of the American concept of "bigger and better," attitudes toward business, the American Dream, and other characteristics generally considered "typically American."

Ever since America became an independent nation, each generation has seen an uprising of its citizens to save the American Dream from forces seeking to overwhelm and dispel it. Possibly the greatest of these struggles is still ahead—not a struggle of revolutionists against established order, but of the ordinary person who seeks to hold fast to the rights of "life, liberty, and the pursuit of happiness." This classic book is valuable for a new age and as important for this new century as it was when originally written.

• Sales Rank: #3185868 in Books
• Brand: Brand: Transaction Publishers
• Published on: 2012-06-20
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .92" w x 5.98" l, 1.45 pounds
• Binding: Paperback
• 453 pages

Features

• Used Book in Good Condition

About the Author

James Truslow Adams (1878-1949) was an American writer and historian known for his writings on New England, and is known for coining the phrase “American Dream.” Before becoming a writer Adams served on President Woodrow Wilson’s commission in charge of preparing data for the Paris Peace Conference, which signified the end of World War I. His many writings include The Founding of New England (for which he won a Pulitzer Prize), Our Business Civilization, and The March of Democracy.

Howard G. Schneiderman is professor in the Department of Anthropology and Sociology at
Lafayette College. He is the editor of The Protestant Establishment Revisited and The Hindrances
to Good Citizenship.

 

Most helpful customer reviews

37 of 42 people found the following review helpful.
The Book that Defined "the American Dream"
By Scorpio
Traditionally, we think of the American Dream as owning a home and having a happy family, with some undefined financial success often referred to as "comfortable and high-standard living". The dream aspect of the American Dream, however, connotes a traditional and national vision, despite some of the mundane aspects of the dream as it is often defined. Immigrants in particular have seen America as a promised land, with the dream as an integral part of this vision. On the other hand, some see the American Dream as an unfulfillable vision, especially those whose race, ethnicity or gender the mainstream uses as an excuse for excluding them from dreaming. Others see it as relentlessly competitive and material and ruthless.
For the first time in American history, John Truslow Adams, in this monumental work, The Epic of America (1933) coined the term, the American Dream and defined it as
... that dream of a land in which life should be better and richer and fuller for every man, with opportunity for each according to his ability or achievement.... It is not a dream of motor cars and high wages merely, but a dream of a social order in which each man and each woman shall be able to attain to the fullest stature of which they are innately capable, and be recognized by others for what they are, regardless of the fortuitous circumstances of birth or position.
Adams believed that
the American dream that has lured tens of millions of all nations to our shores in the past century has not been a dream of merely material plenty, though that has doubtless counted heavily. It has been much more than that. It has been a dream of being able to grow to fullest development as man and woman, unhampered by the barriers which had slowly been erected in older civilizations, unrepressed by social orders which had developed for the benefit of classes than for the simple human being of any and every class. And that dream has been realized more fully in actual life here than anywhere else, though very imperfectly even among ourselves.
Despite the fact that "the American dream" has been often deconstructed and sometimes attacked as the dream of a white and male-centred European culture, this books offers insights as to how the concept of the American dream was born during American history. This book is a must for students of American history and American literature.

15 of 16 people found the following review helpful.
What a history book should be.
By Travis.the.French
I'm a book junkie. My favorite pastime is laying in my hammock with a book. Lately I've been engrossed by Hunter S. Thompson. A recurring theme in Thompson's work is the American Dream. We all have an idea of what the American Dream is, but where did it come from? The answer is this book.
Judging by the size I was expecting a long dry tome, something I'd have to fight throught. Instead The Epic of America is what a history book ought to be. It reads more like an adventure story than a scholarly text. I'd read it to my kids if I had any.

6 of 6 people found the following review helpful.
First use of American Dream
By John S Wren
I'm amazed there is no review here of this book.

This is what I just posted on my blog JohnWren(dot)com with a link to it here on Amazon:

The term "American dream" was coined 1931 by J.T. Adams (1878-1949), U.S. writer and historian, in this book "Epic of America." I found a copy of it in a used book store a few years ago for just a couple of dollars. A new paperback edition has recently been published.

[The American Dream is] "that dream of a land in which life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement. It is a difficult dream for the European upper classes to interpret adequately, and too many of us ourselves have grown weary and mistrustful of it. It is not a dream of motor cars and high wages merely, but a dream of social order in which each man and each woman shall be able to attain to the fullest stature of which they are innately capable, and be recognized by others for what they are, regardless of the fortuitous circumstances of birth or position."

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[Z383.Ebook] Download Ebook POETRY AGAINST TERROR: A tribute to the victims of terrorism, by Fabrizio Frosini, Daniel Brick, Pamela Sinicrope, Richard Théz&eac

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Terrorism, which is one of the most important topics in the world today, refers to any act designed to cause 'terror' by means of violence or the threat of violence. As a fundamental rule, terrorism is politically and emotionally charged, because it is meant to instill fear within, and thereby intimidate people – an entire country or even the whole world. Terrorism is certainly frightening, but the best way we can fight it is by living our lives without terror.
At the UN webpage on terrorism, we read: "Countering this scourge is in the interest of all nations and the issue has been on the agenda of the United Nations for decades."
Now we can understand why 64 Poets from 43 different countries have written a letter to the Secretary-General of the United Nations, and to the Presidents of each of the countries whence they come from.
As stated in the letter to Mr Ban Ki-moon: “Through the poems, we wish to express our unanimous desire for universal peace and to add our voice to those other unequivocal voices at the United Nations who say 'NO' to the scourge of terrorism”.
It is a symbolic gesture, but it highlights their commitment as "Poets against Terror".

As Fabrizio Frosini, the publisher, says: “I started this editorial project after the murdering of so many innocents in Paris, on November 13, 2015, as a tribute to them and to the countless other victims of terror, worldwide. I started the project, but it is a collective book: a compilation of poems written by 64 poets from 43 different countries from all over the world, who believe in peace and brotherhood, and are against any kind of 'terror'.

Other voices of the Poets:

This project is about compassion for the victims of terrorism, it's a celebration of a simple equation: 'violence = more violence; peace = peace'. We have made it clear, we are not debating causes, but mourning a particular 'effect' which is the intentional murder of innocents''. - D.J. Brick, USA

As someone born in Sri Lanka, a country that will always be remembered as the birth place of the suicide bombing, I can only offer my own tears to lessen the pain and to heal from this terrible plague and my own sweat to lay one brick to build a universal home for peace. - D. Gunawardana, Sri Lanka

Наши потери мучительны, но террор - это инструмент манипуляции через запугивание, поэтому нам следует искать истинные причины, а не реагировать слепо.
Our losses are painful, but terror is a tool of manipulation via frightening, so we should search for the true reasons and not react blindly. - G. Italyanskaya, Russia

The most difficult aspect to accept about all the senseless violence in the world is the fact that we are doing this to each other, and that by now negative political, religious and social dynamics have become so complex that it is hard to believe in a better future. Therefore, each person must begin with him- or herself in contributing peace and non-violent solutions to our shared humanity. - B. B. Linder, Germany

Iwe neni tikabatana, nyika inobudirira (in Shona)
You are because I am, together we can make the world a better place - T. Makadho, Zimbabwe

Jag sörjer och stödjer med all min vänlighet ,med tanken på alla oskyldiga offer och anhöriga,och tyst gråtande hjärtan,min tro bygger på ett liv utan grymhet, och ord som vågar uttrycka solidaritet.
I gave rise to much kindness, I think of all the people and children and the hearts of silence cry, I admit a new faith without cruel life, how to find words how dare to dare. - I. Molnar, Sweden

What is gained from the killing of children, people shopping for food, those just passing by? - L. Beck, USA

The dead body of the 3-year-old on the beach will haunt humanity forever, if we can't put an end to terrorism! - A. Jafarinoor, Iran

Avec un bout de papier et une plume On est capable de faire face au terrorisme..
We use a pen and a paper to face Terror.. and to spread Peace and Love all over the world - K. Basty, Tunisia

• Sales Rank: #1242555 in eBooks
• Published on: 2015-12-19
• Released on: 2015-12-19
• Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
great work through the famous poets, thanks to Poem Hunter
By Istvan D.U. Molnar
an expected surprise, very interesting collection of poems from different souls in the world, a valuable connectedness through words

3 of 3 people found the following review helpful.
Very touching collection of poems. So many voices against terror, from around the world
By Tanmay Dehury
Very touching collection of poems. So many voices against terror, from around the world.

1 of 1 people found the following review helpful.
against terror........united voice of poets
By asoke kumar mitra
excellent collection, a fabulous job done by all the poets.

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[K745.Ebook] PDF Download A Man For All Seasons (Modern Classics), by Robert Bolt

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A Man for All Seasons dramatises the conflict between King Henry VIII and Sir Thomas More. It depicts the confrontation between church and state, theology and politics, absolute power and individual freedom. Throughout the play Sir Thomas More's eloquence and endurance, his purity, saintliness and tenacity in the face of ever-growing threats to his beliefs and family, earn him status as one of modern drama's greatest tragic heroes.

The play was first staged in 1960 at the Globe Theatre in London and was voted New York's Best Foreign Play in 1962. In 1966 it was made into an Academy Award-winning film by Fred Zinneman starring Paul Scofield."A Man for All Seasons is a stark play, sparse in its narrative, sinewy in its writing, which confirms Mr Bolt as a genuine and solid playwright, a force in our awakening theatre." (Daily Mail)

• Sales Rank: #243977 in eBooks
• Published on: 2013-12-04
• Released on: 2013-12-04
• Format: Kindle eBook

From the Inside Flap
The classic play about Sir Thomas More, the Lord chancellor who refused to compromise and was executed by Henry VIII.

Most helpful customer reviews

51 of 53 people found the following review helpful.
Still My Favorite
By Amazon Customer
A Man for All Seasons has long been my favorite, whether in written form, stage play, or motion picture. The story is fairly simple, another angle on the drama of Henry VIII. Sir Thomas More is a deeply religious man, much troubled by the king's break with Rome and the establishment of the Church of England, naming the king as head of the church (directly contravening the idea that Christ is ultimately head of the church, indeed, Catholics believe the church to espoused to Christ). In an attempt to keep the peace, and his neck, More resigns his office and refuses to make any statement about the issue of the break with Rome or the king's divorce what-so-ever, even to his own wife.

Unfortunately, it would appear that while the king doesn't want to follow the rules, he also doesn't want a bad conscience. This requires him to get the 'blessing' of someone known to be reputable on the subject, so that his conscience may rest at ease. By circumstance of who he is, More is chosen. A document is drawn up in the Parliament, rather craftily, to which subjects of the king are required to swear.
Upon refusing to swear to this document More is thrown into jail. He will neither make a statement about his thoughts on the document, nor make explanation for refusing to swear. In More's thinking, he has been forced to choose between his bodily life and his immortal soul. Eventually More is tried and convicted of High Treason, carrying the sentence of death.
The play is wonderfully crafted and does an excellent job of being subtle and emotional at the same time. It is the essence of a morality play. When push comes to shove, and egos, life, inheritances are on the line, where will you fall?
Some criticize this play for not being historically accurate in some matters. I toss these criticisms aside with two short arguements 1.In some matters, such as More's feelings and private dealings with the king, we will never know the historical truth. 2.Most important to remember, it is a play, not a history text. It owes no wage to historical accuracy.
This play is a very easy read. The language is simple enough. My only suggestion is that those readers who are not Catholic may want to do a tiny bit of research about basic Catholic theology concerning marriage and divorce, in order to understand some of the motivations in the play.

26 of 26 people found the following review helpful.
An Excellent Literary Experience
By Taylor
I am currently reading A Man For All Seasons as a school project, and I am enjoying it more than any other book that I have read in school. This play is an incredible work of art that thoroughly and accurately depicts the personality and moral values of Saint Thomas More, the man who was "the King's good servant, but God's first". Sir Thomas More became King Henry VIII's Lord Chancellor under one condition: that he be left out of "The King's Great Matter", which, if you didn't know, was the King's conflict with the Pope over his desired anullment from Catherine of Aragon. However, Henry is not satisfied with this, and he is determined to have a blessing of his marriage to Anne Boleyn from Sir Thomas. More, however, is a devout Catholic, and he believes that Henry's anullment from Catherine was not valid, and his morals will not allow him to bless the King's marriage. In hopes of forcing More to agree with him, the King administers an Oath claiming that he is the supreme head of the Church in England, and that Anne Boleyn's children would be the heirs to the throne. Sir Thomas refuses to sign the Oath, and, after spending almost 2 years in the Tower of London, is beheaded. A Man For All Seasons is a great play, for it really shows the reader the kind of man that Sir Thomas was. The other characters are also well written (particularly Sir Thomas's daughter, Margaret). If you are a drama fan, history buff, or someone who likes to read books with great moral substance, A Man For All Seasons is the book for you.

30 of 31 people found the following review helpful.
How odd: it actually lives up to its reputation!
By Kendal B. Hunter
This book is the essential companion to the movie. Or do I have it backwards?
So, to what lengths will a man go to keep his honor? Is everything for sale? This is the story of conscience over expediency, which is a message we need right here, right now, especially in DC. The problem with politics and principles is perennial, but it has become a bit more exacerbated with the war on terrorism.
We rally behind More since he stands up for conscious. It is an interesting dilemma, since we might criticize him for not being more vocal or proactive in his stand against the king, but More does say that God made "man to serve him wittingly, in the tangle of his mind! If he suffers us to fall to such a case that there is no escaping, then we may stand our tackle as best we can. . . But it's God's part, not our own, to bring ourselves to that extremity! Our natural business lies in escaping!" (p. 126)
The best plays are the ones that make you think yeas after you experience them. This is Bolt's spell, and we can never escape.
This is almost a perfect play. The only flaw is that More ends up with the best one liners, while the antagonists Henry VIII and Cromwell have lifeless lines without the wit and sparkle speeches that Bolt have given to More.
One of the intriguing aspects of this play is all the subplots, or rather, ripples across the ocean of events. These sub-plays augment an already powerful story, and help bring more light and detail to the story.
One ripple is Richard Rich. He is a young man with burning ambition. More wisely counsels him to become a teacher, instead of involving himself in affairs of court. Rich ignores the counsel, gets caught up in the sausage-machine of state, and eventually perjures himself in More's trial. More did not have a price; Rich's price was Wales.
Henry VIII is another backgound mover, and the driver of the events in the play. He wants an heir, but at what price? The dynastic wars had just been settled, and his line was established, but he had no heir. Harry VIII was a bit of a playboy like Harry V, but Harry V eventually grew up. Henry VIII went to every extraordinary extreme to have an heir, from marrying his wife, to divorcing his wife, establishing a new church to soothe his conscience, and finally sanction the death of his one and only loyal friend. His price was his pride.
Another sub-ripple was the romance between Margaret More and William Roper. Thomas was, of course, a staunch Catholic, but Roper was a new Lutheran, and there was religious tension. Thomas forbade his daughter Margaret from marrying Roper until he returned to Catholicism.
Two characters were almost ignored in the play: Wolsey and Alice More, but I guess that you can't have everything in a two-act play. Sigh!
The 1966 film adaptation left out another sub-plot Senor Chapuys, the Spanish ambassador. Since Katharine was from Aragon, Catholic Spain had quite an interest in having the first marriage remain in tact.
Aside from reading a history book on the man and the time, I would recommend the companion classic of Shakespeare's play "Henry VIII," which tells how Wolsey accidentally got Anne Bolyn and Henry VIII together at a dinner party, and how Wolsey fell out of favor with the King. Surprisingly, Shakespeare only mentions More once (III.ii.468), but we understand the edgy politics during Shakespeare's day.
Bolts quick wit and ability to compress complex ideas into compact catchphrases, what are called "bumper-sticker" lines in the film industry. I would like to read more of his plays.

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• Published on: 2010
• Binding: Paperback

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39 of 41 people found the following review helpful.
great book for reading, labor intensive recipes
By Neta Weinryb
I am a long time fan of JGV cook books. Simple to Spectacular is my favorite cookbook ever, and I use it quite a lot - especially when I am looking for that wow factor.
JGV's new book is more Asian than fusion. Although it uses some western ingredients, such as creme fraiche and butter, the recipes are essentially Asian.
Also, unlike Simple to Spectacular, these are clearly restaurant recipes, and no effort was made to simplify them and adjust them to home cooking.
Many of the recipes are labor intensive - loads of pots and pans are used, and many steps. They are still very attractive and make me want to get in the kitchen and star cooking.
There are a few simple recipes - I tried the egg and tomato soup and it is definitely going to become part of my everyday repertuar.
Last comment: although Asian cuisine should be healthy, many of the recipes in this book contain loads of butter and/or sugar.

Summary: a good book for people who really like cooking, to be used for special occasion meals.

15 of 15 people found the following review helpful.
Fantastic Cookbook, Yet Not For The Culinary Amateur...
By James Wright
The recipes I've made from this cookbook have been, thus far, exquisite, consistently offering a delicious array of textures, layered and complex flavor combinations, and beautiful presentations. I'll also add that the few dishes I've made so far have both the look, and, more importantly, the taste, of something I would happily pay top dollar for at a restaurant.

Last night I made shrimp cakes with a peanut/mint sauce as a starter, which was satisfying and scrumptious. As an entree, I served up the roasted curried codfish with artichokes, snap peas and a tamarind/chile/garlic sauce, which was simply one of the best seafood dishes I've ever prepared at home (and I've cooked things from many great cookbooks, including dishes by Eric Ripert, Thomas Keller, Bobby Flay, Mario Batali, etc.).

This cookbook has a great layout, wonderful pictures, and, most importantly, is sure to greatly expand the average foodie's palate and kitchen technique, opening the doors to a world of Eastern flavoring and ingredients. I've cooked three recipes and I've already learned so much! The only issue? Almost every recipe features very rare ingredients, ranging from the obnoxious-to-acquire to the impossible-to-acquire. It's very important to learn how and what to substitute, otherwise I can see this cookbook becoming merely a dust-collecting frustration for many at-home cooks, especially if you live in the suburbs and really only have one supermarket in town (luckily I live in NYC, where you can find almost anything on this earth as long as you're willing to search around town).

If you're a Jean Georges fan and appreciate his mastery of flavor, you're sure to love this approach to Asian cooking (this book seems to me to be a fusion of many countries, primarily Vietnam, but also Korea, China, and Thailand). The way you experience his recipes, some at once moist, succulent, crunchy, tangy, sugary and then spicy, are a total treat, and will get you excited to be in the kitchen. If you're serious about cooking and serious about challenging recipes that will really pay off for your guests, then this is a fantastic cookbook.

12 of 12 people found the following review helpful.
The real JGV
By Bradley Nelson
I worked in one of Jean-Georges' restaurants for a year and have made several of the recipes in this book dozens of times. Certainly most of them have been simplified for home cooks, but I can assure you that the spirit of the recipes is the same.

What is remarkable about JGV, as a French chef, he is very limited in his use of cream and butter. He uses a lot of soy- and vegetable-based sauces. Some purists will say these aren't true Asian dishes, and they'd be right. This is "fusion," much as I hate that word. But JGV's food is straightforward and delicious. He doesn't try to go over the top, to make things complicated just because he can. He doesn't try to be whimsical or to blow your mind. He just wants to create great food that you will remember.

Certainly some of the recipes here are ambitious and include a lot of obscure ingredients, but if there's an Asian market near you, there isn't anything you can't find there.

The book itself is beautiful, the photography is fantastic. And a bargain, for what it is.

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The third edition of this popular and extensive encyclopedia of the Cthulhu Mythos—updated with more fiction listings and recent material—this unique book spans the years of H. P. Lovecraft’s influence in culture, entertainment, and fiction. The expansive entries make this reference invaluable for anyone knowledgeable about the Cthulhu Mythos and a much-needed resource for those longing to learn about the cosmic horrors from past and present decades.

• Sales Rank: #67600 in Books
• Brand: Harms, Daniel
• Published on: 2008-08-01
• Released on: 2008-08-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .80" w x 5.50" l, 1.05 pounds
• Binding: Paperback
• 402 pages

About the Author
Dan Harms is the author of several nonfiction articles on a variety of historical, occult, and esoteric topics, as well as several books, including The Necronomicon Files. He lives in Johnson City, New York.

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4 of 4 people found the following review helpful.
One glaring flaw to a great resource
By Thomas
The Cthulhu Mythos Encyclopedia is a great resource for fans of the Cthulhu Mythos, fans of the Call of Cthulhu RPG, fans of weird fiction, and fans of cosmic horror. There is a great amount of detail in the book on creatures, gods, and characters in the mythos. A listed bibliography and listed stories for each entry is great and helps expand a reader's suggested reading for the genre.

The book itself is a dense tome, and often reads like an academic work with no illustrations as well as keeping a large amount of entries down to a paragraph. There is an exceptional amount of entries, a great many are not works of Lovecraft himself but of other authors.

The biggest issue with this book is a lack of a Table of Contents, an index, or any way to find a particular entry quickly. For a dense 400 page book, this is a major hindrance and one that can't be overlooked.

0 of 0 people found the following review helpful.
this book is highly recommended. The information in this book is great for ...
By DB Spitzer
This is a necessary resource for anyone serious about the Cthulhu Mythos. Whether you are a writer, gamer or an enthusiast of HP Lovecraft and other horrors, this book is highly recommended. The information in this book is great for creating plot hooks, or what stories to search for to learn more about a specific topic for further exploration.

Need to find out more about Ubbo-Sathla to write a time travel story about wizards?
Look up Ubbo-Sathla, find out that Clark Ashton Smith wrote Ubbo-Sathla, and that god is mentioned in the Book of Eibon. You'll find an appendices about the Necronomicon.
More importantly Dan Harms included a guide on how to handle and use others intellectual property from a non-legalistic standpoint, but more from a standpoint of being ethically creative while respecting to the continuity.

Somewhere in storage I have the second edition of this book, but I have a digital copy on my iPhone, laptop and desktop computer. For my podcast I find this to be a great resource.
Unfortunately I have occasionally ran across instances where Mr. Harms references a story that is no longer in print and hard to find(even after contacting the author or the story). That would be my only gripe. Otherwise this is wonderful, also I am happy that it is a book that covers literature as well as RPG source material due to the fact that the two have become intertwined in the last 30+ years. I am also thankful that the book doesn't rely on any goofy lovecraftian tricks, spooky typefaces or faux-aged paper. It's nice to have some people take this space monster business seriously.

3 of 3 people found the following review helpful.
Great CoC Mythos reference
By Bruce C.
It's a reference book on Cthulu Mythos. The Questions on the Amazon rating screen are for a novel or biography and completely irrelevant to a reference work. It's funny. They ask the same questions on a Roll Players Guide book. If you play CoC or just want to understand the world of H.P. Lovecraft and his collegues, this will help. It even has some explanations of how successive authors have changed or added to the mythos.

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How and why did the academic style of writing, with its emphasis on criticism and correctness, develop? Seth Lerer suggests that the answer lies in medieval and Renaissance philology and, more specifically, in mistakes. For Lerer, erring is not simply being wrong, but being errant, and this book illuminates the wanderings of exiles, émigrés, dissenters, and the socially estranged as they helped form the modern university disciplines of philology and rhetoric, literary criticism, and literary theory. Examining a diverse group that includes Thomas More, Stephen Greenblatt, George Hickes, Seamus Heaney, George Eliot, and Paul de Man, Error and the Academic Self argues that this critical abstraction from society and retreat into ivory towers allowed estranged individuals to gain both a sense of private worth and the public legitimacy of a professional identity.

• Sales Rank: #2854931 in Books
• Published on: 2003-02-15
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .82" w x 6.10" l, 1.01 pounds
• Binding: Paperback
• 388 pages

Review

Writing in a lively, engaging, and sometimes humorous manner, Lerer (Stanford Univ.) fills this book with intricate reasoning about the profession of scholarship and thus provides a unique approach to the study of textual criticism over the ages... a dizzying but enjoyable romp over a road not taken before.

(Choice)

A lively historical survey of how people discovered and developed new forms of expression bundled into the English language.

(James A. Cox The Midwest Book Review)

Review

Lerer writes brilliantly on academic terror of error: on our present and inherited fears of making mistakes, and on associated anxieties of being caught out of place, or of making our way―as book-loving, would-be professionals―to somewhere new and strange. It is a passionate and absorbing book, self-reflective but not self-indulgent, to be read by all those who care about the long history and immediate future of literary scholarship.

(David Wallace, Judith Rodin Professor of English and chair, University of Pennsylvania

of California at Berkeley

, professor of comparative literature, University

of California at Berkeley

, professor of comparative literature, University

of California at Berkeley

, professor of comparative literature, University

of California at Berkeley)

No scholar of the humanities will want to miss Error and the Academic Self, Seth Lerer's exuberant and learned meditation on the practice of reading. From the Renaissance to postmodernism, Lerer shows persuasively, the most powerful readers in the Western tradition have struggled and defined themselves through their relationship to error―to scholarly slipups, misquotations, and bungled references. Lerer offers both a powerful history of errancy and a provocative consideration of the nature of the scholarly enterprise.

(Timothy Hampton, professor of comparative literature, University of California at Berkeley)

This scintillating book investigates the romance of philology itself. With passion and learning Lerer thematises the narratives of a philology forever exiled from its subjects, inevitably wandering in the threatening yet alluring byways of error.

(James Simpson, professor of Medieval and Renaissance English, University of Cambridge)

About the Author

Seth Lerer is Avalon Foundation Professor in the Humanities and professor of English and comparative literature at Stanford University. He is the author of six previous books, including Chaucer and His Readers.

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This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

• Sales Rank: #385654 in Books
• Published on: 2001-02-13
• Released on: 2001-02-13
• Original language: Russian
• Number of items: 1
• Dimensions: 8.00" h x .70" w x 5.20" l, .55 pounds
• Binding: Paperback
• 320 pages

Review
"Dostoevsky, the only psychologist from whom I had something to learn."

Language Notes
Text: English (translation)
Original Language: Russian

From the Inside Flap
This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

Most helpful customer reviews

0 of 0 people found the following review helpful.
No problems !
By M.J. Murphy
Book arrived as described. In great condition. No problems.
Bought book for my son - I haven't read it.

9 of 9 people found the following review helpful.
Don't let the short ones fool you- this is the real thing
By john b
I've only recently begun to read 19th century Russian literature, lured there by a chance reading of 'Crime and Punishment' which floored me. Upon finishing that book I knew that Dostoevsky was the real deal and felt a smug assurance that I could go into the bookstore, buy another of his novels/collection of stories, and feel equally floored.

So I bought this book. After purchasing it, I bought a cup of coffee, sat down and read 'The Peasant Marey'. I didn't like it. So I flipped to 'The Christmas Tree and a Wedding' and read that one. I didn't like it. I checked the cover. Yes, it still says 'The "Best" Short Stories of Fyodor Dostoevsky'. Hmmm...what is going on here? Is this the same guy that penned that brilliant novel that I just finished?

The fact is that yes, it is. Beyond those two stories, the rest found in this book are timeless masterpieces of the period of Russian literature. Though Dostoevsky might use very long paragraphs to express something (some of them go on for pages and pages), he is clearly trying to make sure that the character/concept is receiving its due attention, something that many writers do not seem to understand. From the protestations of (strange) love in 'White Nights' to the ravings to try to find justification for ones own behavior in 'A Gentle Creature', Dostoevsky is only taking his time to fully illustrate what he's talking about. Its a true pleasure to read.

The real treat in this book is the presentation of the novella 'Notes from the Underground'. The first half of the story presents a sort of philosophical dissertation, one that is less narrative and more pure technical writing (think Plato). It is not until the second half of the story that you begin to discover that the first has a heavy bearing on understanding the demented, depraved actions of the nameless anti-hero. By the time you have finished, you discover all over again why Dostoevsky is indeed (rightfully so) considered to be a master at his craft; he has taken someone whom the audience cannot help but to loathe and made a point with the character. It is a brilliant thing to do, something you don't often find.

Bottom Line: Just by itself, 'Notes from the Underground' is worth the cost of the whole book, though the fact that you get other tales with it is an added benefit. The whole of it is worth every penny you pay for it.

-NL

47 of 48 people found the following review helpful.
Enduring
By Prokievitch Bazarov
Dostoyevsky is usually regarded as one of the finest novelists who ever lived. Literary modernism, existentialism, and various schools of psychology, theology, and literary criticism have been profoundly shaped by his ideas. His works are often called prophetic because he so accurately predicted how Russia's revolutionaries would behave if they came to power. In his time he was also renowned for his activity as a journalist.
In 1876-77 Dostoyevsky devoted his energies to Dnevnik pisatelya, which he was now able to bring out in the form he had originally intended. A one-man journal, for which Dostoyevsky served as editor, publisher, and sole contributor, the Diary represented an attempt to initiate a new literary genre. Issue by monthly issue, the Diary created complex thematic resonances among diverse kinds of material: short stories, plans for possible stories, autobiographical essays, sketches that seem to lie on the boundary between fiction and journalism, psychological analyses of sensational crimes, literary criticism, and political commentary. The Diary proved immensely popular and financially rewarding, but as an aesthetic experiment it was less successful, probably because Dostoyevsky, after a few intricate issues, seemed unable to maintain his complex design. Instead, he was drawn into expressing his political views, which, during these two years, became increasingly extreme. Specifically, Dostoyevsky came to believe that western Europe was about to collapse, after which Russia and the Russian Orthodox church would create the kingdom of God on earth and so fulfill the promise of the Book of Revelation. In a series of anti-Catholic articles, he equated the Roman Catholic church with the socialists because both are concerned with earthly rule and maintain (Dostoyevsky believed) an essentially materialist view of human nature. He reached his moral nadir with a number of anti-Semitic articles.
Because Dostoyevsky was unable to maintain his aesthetic design for the Diary, its most famous sections are usually known from anthologies and so are separated from the context in which they were designed to fit. These sections include four of his best short stories--"Krotkaya" ("The Meek One"), "Son smeshnogo cheloveka" ("The Dream of a Ridiculous Man"), "Malchik u Khrista na elke" ("The Heavenly Christmas Tree"), and "Bobok"--as well as a number of autobiographical and semifictional sketches, including "Muzhik Marey" ("The Peasant Marey"), "Stoletnaya" ("A Hundred-Year-Old Woman"), and a satire, "Spiritizm. Nechto o chertyakh Chrezychaynaya khitrost chertey, esli tolko eto cherti" ("Spiritualism. Something about Devils. The Extraordinary Cleverness of Devils, If Only These Are Devils"). These are some rare stories indeed...

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