Rabu, 26 September 2012

[P843.Ebook] Ebook Download Poverty and Progress: Realities and Myths about Global Poverty, by Deepak Lal

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Poverty and Progress: Realities and Myths about Global Poverty, by Deepak Lal

The greatest reduction in mass poverty in human history has occurred during the current era of globalization. The world’s poor are now catching up with the rich at a rapid pace in terms of human well-being—health, education, and life span.

Drawing on 50 years of experience around the globe, renowned development economist Deepak Lal describes developing country realities and refutes misguided notions about economic progress, including World Bank calculations that exaggerate the extent of poverty, overstated claims made on behalf of microfinance, the resurrection of discredited theories such as vicious circles of poverty, and the need for massive foreign aid to save Africa.

Lal also examines Western proposals to deal with climate change and concludes that they pose a great potential threat to the world’s poor. Fortunately, liberalization in poor countries makes them less likely to be swayed by the intellectual fads of the West, so that classical liberal economic policies will continue to be the source of progress in the developing world.

  • Sales Rank: #2549479 in Books
  • Brand: Brand: Cato Institute
  • Published on: 2013-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x .94" w x 6.42" l, 1.10 pounds
  • Binding: Hardcover
  • 200 pages
Features
  • Used Book in Good Condition

About the Author
Deepak Lal is the James S. Coleman Professor Emeritus of International Development Studies at the University of California, at Los Angeles; professor emeritus of political economy at University College London; and a senior fellow at the Cato Institute.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Superb look at economic history.
By Johnny & Riza
I've enjoyed other books by Professor Lal, most notably “Reviving the Invisible Hand.” This book sweeps them all up into a coherent and seeping look at economic history.

“At the start of my seventh decade, as I look back over the past 50 years, during which I have studied, engaged in various debates, and traveled in the Third World, I am amazed at the transformations that have lifted billions out of poverty. One of the saddening experiences in writing this book, and of reading what younger scholars have written during the last 20 years, is the realization that many of them have little sense of this amazing achievement or its causes.”

Though data filled, Lal also includes keen insights into what worked, what did not, and an optimistic view forward.

"This cultural divergence, as I argued in Unintended Consequences and which was summarized in Part 1, was due in part to the family revolution of Gregory the Great in the sixth century in the West. This gave rise to the individualism that led to the Renaissance and the scientific revolution, but also to the rise of nuclear families and the creation of statist safety nets for the poor, replacing the communal ones provided in the past and which continued in the other Eurasian civilizations-- including China. It was not the welfare states, which were a necessary consequence of its newfound individualism, that led to the rise of the West, but the sheer escape from tradition in art and science that individualism promoted."

An entertaining and informative read – five stars.

4 of 5 people found the following review helpful.
Another Book Review from the Aleph Blog
By David Merkel
I appreciated this book. In my early 20s, I wanted to do development work in developing countries, but I ran into a problem. All of the interventionist solutions didn't work, and countries that ignored the advice of development economists tended to do better. That has continued to be true since then. Among academic economists, the battle goes on between the socialists and free marketers. The battle goes on in many arenas:

* It is easy to do cross-sectional time-series regressions across countries, and twist the data to your bias. In general, more flexible the econometric technique, the lower the probability that it tells an accurate story. Noise gets interpreted as signal. [The Ph. D.s at the Fed are experts at this.]
* How much of poverty is due to culture, recalcitrant governments denying property rights to their people, etc?
* How much different was it for the now developed nations to develop during their era? Do the same principles apply?
* Are there really "poverty traps" in development?
* Are there structural problems in development that naturally occur, or does it stem from government interference?

This book takes an optimistic view on development, against the crowd that creates complex models in order to allege market imperfections, rather than government imperfections. The truth is that poverty in the world is in retreat, and abject poverty may not exist in another generation, aside from nations that sabotage themselves. Nations that are growing can follow the same path of freedom as the developed nations did.

This book will open your eyes on global poverty, and make you realize that we are close to success, aside from self-inflicted wounds. It will also make you think through the metaphysics and ethics of global warming, and explain to you why it is unfair for the developed nations to constrain the developing nations regarding use of hydrocarbons. [For those that are partisans on global warming, this book argues that global cooling is happening. Is your mind open enough to consider the argument?]

I recommend this book highly. Well written, and not afraid to take some non-consensus views in favor of freedom.

Quibbles

None.

Who would benefit from this book: You have to be interested in development economics to enjoy this book.

1 of 1 people found the following review helpful.
Eneggy policy Vs. World's poor
By Rafique Ahmed
This book provides insight in to the debate between development, progress, climate change, and the forgotten poverty. The developed world is pushing the agenda to reduce energy consimption, which will cause even more hardship to the world's poor.

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Senin, 17 September 2012

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What Every Musician Needs to Know About the Body:The Application of Body Mapping to Making Music, by Barbara Conable, Benjamin Conable

The practical application of Body Mapping and the Alexander Technique to making music. Body Mapping is the study of how our concepts of our bodies affect our experience and movement. The Alexander Technique is a method for improving freedom and ease of movement and physical coordination. This book is a graphic presentation of ideas drawn from these two disciplines that is of great benefit to music students and teachers and others.

  • Sales Rank: #279524 in Books
  • Published on: 2000-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.50" w x .50" l, .75 pounds
  • Binding: Spiral-bound
  • 104 pages

About the Author
Barbara Conable is an Alexander teacher of 23 years experience and a teaching member of the North American Society of Teachers of the Alexander Technique and Alexander Technique International. She has taught at the Ohio State University and the Cincinnati Conservatory and is now President of Andover Educators. She is an active poet and the author and editor of several books about the Alexander Technique.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Laken E.
USE THIS IN YOUR STUDIO AND GROUP CLASSES. THIS IS SO IMPORTANT.

22 of 26 people found the following review helpful.
No Filling in This Sandwich
By Robert C. Adams
I'm a serious amateur musician (singer), so I know that understanding the body and learning how to use it properly is crucial to making good music. I thought this book would teach me how to better use my body through consideration of its various parts and relationships. I was wrong. Too many of the one-page sections start and end with simplistic lead-ins and ferverinos like these: "You can learn to have a pressure-free front" or "You can learn to organize your torso around your core" and end with "You have a pressure-free front? Gloat! and "If you already, just naturally, organize around your core, huzza!" In between these statements are anatomical diagrams but nothing that tells the reader/student HOW to develop a pressure-free front or to organize the torso around the core. And so on. From the reviews this book apparently satisfies the needs of some, and that's great. But if you're a serious musician looking not only to understand the way the body should work but also tips, advice, or exercises about HOW to use your body, you'll need to look elsewhere. I am.

7 of 7 people found the following review helpful.
An excellent introduction to body mapping
By A.H.
Unlike many of the other reviewers, I have found this book to be an excellent introduction to body mapping and the Alexander Technique. I think the operative word is "introduction." This should not be thought of as an in-depth study of body mapping; for that, one should refer to Conable's book "How to use the Alexander technique." As both a professional singer and a voice instructor, I have found this simple book to be very useful. It is a helpful tool to introduce students to the very concept of body mapping (something that most people know nothing about...by the way, it's the study of the proper way to hold one's self and use one's body based on an accurate concept of one's physiology). It is also a helpful tool for someone who is familiar with body mapping to check yourself. If you want an in-depth study, this is not the book to use, but it is excellent to use in conjunction with other texts, especially a simple anatomy book. And, as to the cartoon-like drawings, they make it simple, and simple is a good way to start!

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Jumat, 14 September 2012

[H791.Ebook] Download PDF Classic Asian Philosophy: A Guide to the Essential Texts, by Joel J. Kupperman

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Classic Asian Philosophy: A Guide to the Essential Texts, by Joel J. Kupperman

This is a second, revised edition of Kupperman's introduction to Asian philosophy via its canonical texts. Kupperman ranges from the Upanishads to the Bhagavad Gita through Confucius to Zen Buddhism, walking students through the texts, conveying the vitality and appeal of the works, and explaining their philosophical roots. Kupperman has made revisions throughout the text, clarifying where necessary, and added a new chapter on al-Arabi's The Bezels of Wisdom, a classic of Islamic Sufism.

  • Sales Rank: #491762 in Books
  • Published on: 2006-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.40" h x .80" w x 8.20" l, .56 pounds
  • Binding: Paperback
  • 208 pages

About the Author

Joel J. Kupperman is Professor of Philosophy at University of Connecticut, and the author of Ethics and Qualities of Life (Oxford, 2006), and Six Myths About the Good Life (2006), among other books.

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0 of 0 people found the following review helpful.
Five Stars
By JAMES HAINER VIOLAND
Great collection of great thinkers.

1 of 2 people found the following review helpful.
LIFE SAVER!
By Hannah
This book has saved me countless times in my Asian Philosophy class. It can be stated that without this book, my grade in the class would be significantly lower than it is right now. It actually walks you through the concepts and helps draw a clear line between actual Asian philosophy and Western Asian philosophy.
The item shipped quickly and arrived on time, I am happy with the purchase.

1 of 2 people found the following review helpful.
I recommend this book for anyone interested in a supplement that ...
By Campbell Hutcheson
Kupperman's book is clear and informative. He uses a conversational tone. I recommend this book for anyone interested in a supplement that will help them read some of the principle texts. This book, however, might be difficult for students seeking a basic introduction or a more advanced commentary. I remember it sitting some distance between the two.

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Rabu, 12 September 2012

[I260.Ebook] PDF Download Heat Exchanger Design, by Arthur P. Fraas

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Heat Exchanger Design, by Arthur P. Fraas

This Second Edition of the well-received work on design, construction, and operation of heat exchangers. Demonstrates how to apply theories of fluid mechanics and heat transfer to practical problems posed by design, testing, and installation of heat exchangers. Tables and data have been brought up to date, and there is new material on problems of vibration and fouling, and on optimization of energy use in the chemical process and manufacturing industries. Covers all basic principles of heat exchanger design, and addresses many specialized situations encountered in engineering applications.

  • Sales Rank: #1707334 in Books
  • Published on: 1989-03-20
  • Released on: 1989-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.06" h x 1.41" w x 8.62" l, 2.75 pounds
  • Binding: Paperback
  • 560 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
it's OK
By Johnny in Texas
It's a handy book, but not a must have. I design S&T exchangers for a living, and I do think it's a decent read, but if you have to pick a book for a GO TO manual... there are betters ones out there.

1 of 1 people found the following review helpful.
Very good book.
By Joao Batista Campos Silva
In the book are presented important information about the design of heat exchanger. Very good book.

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Minggu, 09 September 2012

[I363.Ebook] Download PDF Three Uses of the Knife: On the Nature and Purpose of Drama, by David Mamet

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Three Uses of the Knife: On the Nature and Purpose of Drama, by David Mamet

The purpose of theater, like magic like religion…ids to inspire cleansing awe. With bracing directness and aphoristic authority, one of our greatest living playwrights addresses the questions: What makes good drama? And why does drama matter in an age that is awash in information and entertainment? David Mamet believes that the tendency to dramatize is essential to human nature, that we create drama out of everything from today’s weather to next year’s elections. But the highest expression of this drive remains the theater.
         With a cultural range that encompasses Shakespeare, Bretcht, and Ibsen, Death of a Salesman and Bad Day at Black Rock, Mamet shows us how to distinguish true drama from its false variants. He considers the impossibly difficult progression between one act and the next and the mysterious function of the soliloquy. The result, in Three Uses of the Knife, is an electrifying treatise on the playwright’s art that is also a strikingly original work of moral and aesthetic philosophy. 

  • Sales Rank: #96566 in Books
  • Published on: 2000-06-13
  • Released on: 2000-06-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .29" w x 5.19" l, .27 pounds
  • Binding: Paperback
  • 96 pages

Amazon.com Review
Playwright David Mamet's three lectures at Columbia University are ostensibly about issues of dramatic structure, but as they unfold, and Mamet continually explores the relationship between dramatic structure and the lives we live, much broader concerns are revealed. Here, for example, is Mamet on political propaganda:

It is ... essential to the healthy political campaign that the issues be largely or perhaps totally symbolic--i.e., non-quantifiable. Peace With Honor, Communists in the State Department, Supply Side Economics, Recapture the Dream, Bring Back the Pride--these are the stuff of pageant. They are not social goals; they are, as Alfred Hitchcock told us, the MacGuffin.... The less specific the qualities of the MacGuffin are, the more interested the audience will be.... A loose abstraction allows audience members to project their own desires onto an essentially featureless goal.

Although occasionally academic, the overall tone of the lectures is consistent with Mamet's no-nonsense manner of speech. He has no time for obfuscation and little time for repetition, save when he must absolutely employ it for emphasis. He is passionate about good theater, and passionate about the truth. 3 Uses of the Knife makes an excellent companion piece to his True and False, which addressed similar philosophical matters in the form of advice on the actor's craft.

From Library Journal
One of America's leading living playwrights has crafted three short essays beginning with the premise that it is "our nature to dramatize." The belief in the centrality of drama to our daily lives and the centrality of our daily lives to good drama is the recurrent theme of his ruminations here. While he disdains the current vogue for "problem plays," he avoids attacking any of his contemporaries or their works. And without offering a how-to guide for aspiring playwrights, he provides some interesting thoughts on the inevitable difficulty in creating a convincing second act. Known and respected for his ability to create hyperrealistic dialog, Mamet ultimately reveals the theoretical justification for the sort of drama he writes so well. The text reads a bit like a lecture and never quite convinces the reader that this is a fundamental redefinition of drama. Still, it will be compelling to students of theater and serves as a good companion to Mamet's advice to actors, True and False (LJ 10/1/97). Recommended for academic and large public libraries.?Douglas McClemont, New York
Copyright 1998 Reed Business Information, Inc.

From Booklist
Mamet has written about drama's sociological and psychological implications before (Writing in Restaurants [1986], Some Freaks [1989]), but never as well as in these eight terse, elegant essays. He writes with thrilling simplicity and authority, discussing problems all working playwrights confront (What am I trying to achieve with this play? How come things always get balled up in the second act? Why are most problem plays ultimately unsatisfying?) and connecting his craft to large social issues (violence, censorship, the abuse of public office). Previous Mamet readers and those who know his work on stage and screen will recognize such themes and personal obsessions as the search for authenticity, the yearning for a moral center, and the search--some would say romanticized--for a very masculine kind of stoicism. This time, Mamet's beliefs seem less the wisecracks of a witty, sometimes hot-headed drinking buddy and more the calm, cool, carefully measured meditations of a man passionate about the truth and determined to share his ideas as clearly and powerfully as possible. Jack Helbig

Most helpful customer reviews

1 of 1 people found the following review helpful.
Perceptive, unique, concise
By Felicia
It's long become customary to nickname David Mamet as "controversial", "acerbic", "opinionated", and the like... Evidently, he's making someone nervous. So much so that they're willing to exploit some of the most unsubstantiated, desperate, primitive ways of debasing their "Nemesis". I hope he's taking it as a compliment. Come to think of it, what can be more dangerous than a powerful, rational thinker, a one of a kind intellectual, an eloquent artist on his quest for truth? Why, he would have been among the first ones to be eliminated by any totalitarian regime!

As for the "Three Uses of the Knife: On the Nature and Purpose of Drama": this book is an enlightened, aphoristic conversation that celebrates moral reasoning and good taste. I wholeheartedly recommend it and hope you enjoy it as much as I did.

0 of 0 people found the following review helpful.
Mamet is Mamet. Love him or hate him - but I don't think you can be indifferent.
By Mike Howard
Mamet is Mamet. If that doesn't say anything to you, then buy the book or watch Glengarry Glen Ross or House of Games

2 of 3 people found the following review helpful.
Reactionary, but eye-opening
By Cris L. Edwards
Mamet is known as a pioneer of the theatre. He was one of the first to use pure dialogue as action, thus begat Tarantino and a million other "gritty" talk-fests. But here, Mamet writes three essays about WHY we like to watch. He analyzes the human nature of wanting to view drama: be it Hamlet, the weather, or a close football game. They all captivate us. But why? Like the writings of Peter Brook, or Stanislavski, each reading bears new fruit. Some of it will pull the rug out from under the "hero-worshipping" theatre crowd. Some will give a sigh of relief. All of it is revealing.

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Sabtu, 08 September 2012

[I215.Ebook] Download Kurt Vonnegut: The Last Interview: And Other Conversations (The Last Interview Series), by Kurt Vonnegut

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Kurt Vonnegut: The Last Interview: And Other Conversations (The Last Interview Series), by Kurt Vonnegut

One of the great American iconoclasts holds forth on politics, war, books and writers, and his personal life in a series of conversations—including his last published interview.

During his long career Kurt Vonnegut won international praise for his novels, plays, and essays. In this new anthology of conversations with Vonnegut—which collects interviews from throughout his career—we learn much about what drove Vonnegut to write and how he viewed his work at the end.

From Kurt Vonnegut's Last Interview

Is there another book in you, by chance?

No. Look, I’m 84 years old. Writers of fiction have usually done their best work by the time they’re 45. Chess masters are through when they’re 35, and so are baseball players. There are plenty of other people writing. Let them do it.

So what’s the old man’s game, then?

My country is in ruins. So I’m a fish in a poisoned fishbowl. I’m mostly just heartsick about this. There should have been hope. This should have been a great country. But we are despised all over the world now. I was hoping to build a country and add to its literature. That’s why I served in World War II, and that’s why I wrote books.

When someone reads one of your books, what would you like them to take from the experience?

Well, I’d like the guy—or the girl, of course—to put the book down and think, “This is the greatest man who ever lived.”

  • Sales Rank: #964042 in eBooks
  • Published on: 2011-12-27
  • Released on: 2011-12-27
  • Format: Kindle eBook

Review
“Like Mark Twain and Abraham Lincoln, even when he’s funny, he’s depressed. . . . The way he goes about his business has helped most 
of us to go on living, if only to find out what happens next.”

—John Leonard, The Nation 

“He is a satirist with a heart, a moralist with a whoopee cushion, 
a cynic who wants to believe.”
—Jay McInerney 

“Vonnegut is our strongest writer . . . the most stubbornly imaginative.”

—John Irving

About the Author
Kurt Vonnegut's black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as “a true artist” (The New York Times) with Cat’s Cradle in 1963. He was, as Graham Greene declared, “one of the best living American writers.” Vonnegut died April 11, 2007.

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20 of 20 people found the following review helpful.
Six interesting but redundant interviews
By TChris
Kurt Vonnegut's last interview was fairly short, not nearly long enough to fill a book. It is joined in this volume with five other interviews that span thirty years. Not surprisingly, this leads to some redundancy; Vonnegut liked to tell the same stories and interviewers tended to ask the same questions (who wouldn't, after all, want to ask Vonnegut about the firebombing of Dresden?). Vonnegut discusses his family in nearly every interview; at least four times we hear that his brother patented the process for making rain with silver iodide. On the other hand, we hear almost nothing about the bulk of his fiction, an omission I found disappointing.

The first interview is actually a compilation of four separate interviews that were cobbled together by Vonnegut himself and published in The Paris Review in 1977. Vonnegut talks about his service in World War II, his imprisonment by the Germans in Dresden, and, in general terms, his writing. My favorite quotation from that interview (responding to critics who considered him "barbarous" because he studied chemistry and anthropology rather than classic literature): "I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far."

The second interview was published in The Nation in 1980. It focuses on the firebombing of Dresden (the subject of Slaughterhouse-Five) and on nuclear weapons (featured in Cat's Cradle). Vonnegut's most interesting thought concerns his belief that most people lack enthusiasm for life.

A Playboy interview from 1992 -- the best in the book and the most overtly political -- pairs Vonnegut with Joseph Heller. The discussion is wide ranging and features a fair amount of literary (and non-literary) name dropping. Heller and Vonnegut were both World War II veterans; Vonnegut makes some interesting points about the difference between that war and the bombing in the first Iraq war (including the observation that WWII soldiers hoped they didn't have to kill anyone while modern bomb droppers tend to have no such qualms). Here's Vonnegut on censorship and the First Amendment, a statement I applaud: "your government is not here to keep you from having your feelings hurt."

A 2006 interview from Stop Smiling is notable for Vonnegut's discussion of the artwork he did in collaboration with Joe Petro (he saw it as "protesting the meaninglessness in life"). It also updates his political thinking (suffice it to say that he wasn't optimistic about the direction in which the country was moving). Vonnegut saw the extended family as a solution to the nation's problems, but given the impracticality of the extended family in modern America, he advocated having fun. His most telling statement: "I've said everything I want to say and I'm embarrassed to have lived this long."

A condensation of four interviews between 2000 and 2007 (the last a month before his death) is more of the same, but I was struck by how such a big-hearted man, so in love with people despite his continual disappointment in their actions, was so gloomy about his own existence. In a comment worthy of Mark Twain (with whom he had much in common), Vonnegut said: "As you may know, I'm suing a cigarette company because their product hasn't killed me yet."

The final interview, two months before Vonnegut's 2007 death, appeared in In These Times, for which Vonnegut occasionally wrote. Vonnegut was not well; consequently, the interview is very brief. He discusses religion (Vonnegut was a humanist who came from a family of freethinkers) and politics, including a very funny letter he wrote to Iraq describing the path it should follow on the way to becoming a democracy.

Vonnegut was a national treasure. His fans will surely enjoy these interviews, but those who are looking for insight into his thinking beyond his novels might want to pick up his various books of essays, which capture his worldview in greater depth, including his last, A Man Without a Country.

4 of 4 people found the following review helpful.
"I propose that every person out of work be required to submit a book report before he or she gets his or her welfare check."
By Ella
Six interviews with Vonnegut, in chronological order. The last interview is rather quick, at around three pages. The interviews touch on his views of other writers, education, war, politics, religion, and his take on humanity.

The interviews were full of Vonnegut's wit, and very amusing to read. Generally I find author interviews disappointing as their works tend to greatly outshine some random Q&A sessions. Happily, this was not the case here, and instead the interviews read more like little raw bits of Vonnegut. My favorite interview was a Playboy one also with Joseph Heller, in which their conversation covers many topics and drops many names. With a bit of time between the rereadings, I'd say the interviews are indeed rereadable. I found that the interviews deepened my appreciation for Vonnegut, and I'll have to go read some now. As lovely as the interviews were, they tended to be rather repetitive in content and questioning. Questioning on most of his work, besides Slaughterhouse Five, would have been nice.

If you enjoy Vonnegut, you'll enjoy his interviews.

I received an electronic copy from the publisher, Melville House, via NetGalley.

3 of 3 people found the following review helpful.
Classic Vonnegut, though you may have heard it before...
By ewomack
Most people know that the curmudgeonly fatalistic Kurt Vonnegut was one of the most popular fiction writers of the 20th century. Many may not know that he also gave unforgettable interviews. Often these interviews borrowed from his essays, speeches and novels, but they nearly always came across with the same voice, cuttingly sardonic yet genuinely concerned about the strange race of beings he found himself thrust into.

Sadly, Vonnegut passed away in 2007. Though he himself may not have added "sadly," as this somewhat morbidly titled collection, "The Last Interview," reveals. It spans some thirty years of time and by the 2007 interviews Vonnegut seems almost bitter about still counting himself amongst the living, saying that he's "embarrassed to have lived this long." Though, as anyone who has heard enough of his speeches and interviews knows, he never seemed to mind delving right into macabre topics such as suicide, death and the fate of the human race. As such, this collection ends on a rather sad note.

The first interview dates back to 1977 and reads almost like something out of "Welcome to the Monkey House." By the end we discover a surprise interviewer who reveals himself "Breakfast of Champions" style. This interview covers a lot of usual Vonnegut ground: World War II, "Slaughterhouse Five," Vonnegut's youth, writing as trade, science, how lousy "Slapstick" was, the (least) funniest jokes ever created, and numerous other tidbits. It also happens to contain one of his most harrowing and unforgettable descriptions of his time at Dresden, which he also calls "the fastest killing of large numbers of people - one hundred and thirty-five thousand people in a matter of hours." The following interview with Robert Musil from 1980 covers much of the same ground, though with an interesting observation on "Dr. Strangelove" and a sneak peek at his then latest novel "Deadeye Dick."

Time warp then to 1992 and eavesdrop in on a conversation with Vonnegut and Joseph Heller that appeared in Playboy. Their more than interesting relationship comes to live in this unique three-way interview. Their stories even contradict at times. One interesting passage involves Vonnegut claiming to have written a screenplay with Steven Wright (a quick web search reveals that the project eventually fizzled). And the interviewer gets personal about intimate topics that makes Vonnegut cry out "my goodness!" In the end, Heller and Vonnegut seem to share a fundamentally pessimistic view of the human race, which shouldn't surprise anyone.

Then whoosh to 2006. Vonnegut's final book, "A Man Without A Coutry" has been released during the Bush years. He discusses the transition from writing to drawing - his prints remain available today on his official posthumous website. At one point he clearly states "I'm all through writing," which may remind some of his "it's all plays now" in the introduction to "Happy Birthday, Wanda June." But he meant it this time, whether his will or the inevitable kept him from publishing again. Apart from this, he had some very strong words for the state of his country at the time and what he saw as the coming inevitable and unstoppable environmental collapse.

Lastly, 2007 arrives. "The Last Interview" of the book's title really refers to two extremely short interviews Vonnegut gave early that year that appeared in May and June following his death. Though they cover a lot of material already covered earlier in the book, they actually sum up the philosophy of Vonnegut's final years very effectively. Their brevity does speak to his condition, though, which makes for slightly depressing reading, especially as one ends with the words: "But I gotta go. I'm not well. Good luck."

With those words closes one of the twentieth century's most fascinating, controversial and adored authors. He often said in speeches that his works will die with him. And though many literature departments haven't seemed to embrace him as one of their own, his works remain strongly in print to this day. Doubtless they will make a seamless transition to e-books and to the more and more sadly neglected classics shelves. All things must pass as they say, but Vonnegut's work will likely take longer to pass than most things in this world. So it will go.

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Jumat, 07 September 2012

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"I'm no ordinary woman. . ." Jack is in love with Kitty, Charley with Amy and both need Charley's Aunt to help. But when she doesn't turn up, they coerce their friend and fellow student into posing as the widowed millionaire, so they can confess their feelings to the girls. Things become more complicated when first, Jack's father and then Amy's uncle turn up. Both take a keen interest in Charley's Aunt, "from Brazil - where the nuts come from." One of the most popular comic farces of all time, Charley's Aunt has been loved since its original performances in 1893 and the continuous four year run that followed. The original dialogue is retained in this edition, refreshed with modern stage direction and a new introduction.

  • Sales Rank: #625643 in Books
  • Published on: 2013-04-08
  • Released on: 2013-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .27" w x 6.14" l, .39 pounds
  • Binding: Paperback
  • 116 pages

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By kurt muenstermann
If you wish to produce this, lean hard on the slapstick and be sure your actors are really clear with the narrative, and the audience will howl!

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This old classic play still made me laugh.
By Jeff Colwell
This old classic play still made me laugh.

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Charlie's Aunt
By Mr. Brian J. Best
Charlie's Aunt - play by Brandon Thomas

Excellent Service - that is book received very quickly and in excellent condition

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This is the essential student-friendly guide to mooting for all those coming to law for the first time and needing to build confidence in this important skill. It is written in clear and accessible language. Following are the features: clear and concise, but taking into account the variety of mooting practice both as a method of assessment and as a competitive activity; based on practical experience, thus providing an expert guide to the subject; supported throughout with clear examples and helpful hints on acquiring an essential new skill; and, bringing a truly vocation aspect of legal education to life, thus helping to enliven otherwise theoretical courses in the core areas of the llb/GDL.This is a clear and student-friendly guide to mooting, an essential skill for students on an LLB, LPC, BVC or GDL course, which will help to engender confidence in constructing legal arguments and presenting them effectively. It is written in manageable sections so the book can be read easily, or dipped into for specific expert advice.

  • Sales Rank: #11107828 in Books
  • Published on: 2009-06-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .67" w x 5.39" l, .85 pounds
  • Binding: Paperback
  • 312 pages

About the Author
JEFFREY HILL is Senior Lecturer in Law at Manchester Metropolitan University, UK where he teaches Criminal Law and Mooting.

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In this highly readable fifth edition of his proven text, Robert Ewen presents the ideas of the most important personality theorists, describes new research relevant to them, and provides a new case history section. Intended as an introduction to personality theory, the book's major goals are:

* to stimulate enthusiasm for the provocative problems of personality,
* to provide a solid foundation for further study, and

* to promote interest in the primary sources on which this secondary one is based.

A prologue introduces each of the five major sections of the text, and comparisons are made among the various theories where appropriate. Other special features include: integration of numerous first-hand quotations into the text, capsule summaries of important concepts throughout to help students learn the many definitions presented in each chapter, and introductions to such theoretical applications as dream interpretation, psychopathology, psychotherapy, work, religion, education, and literature.

Individual chapter study questions are designed to stimulate thought, discussion, and debate; and appendices offer case histories plus practical and personal examples to illustrate and clarify the study questions.

  • Sales Rank: #5679500 in Books
  • Published on: 1997-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.70" h x 6.42" w x 9.54" l,
  • Binding: Hardcover
  • 616 pages

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0 of 0 people found the following review helpful.
Great, prompt service
By Martha
The book was in excellent condition and it arrived promptly. No cover or page wear. The cover is a different color (not like in picture) but it'll do.

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